Happy Pride Month! [Claim your free kindle e-book – LIMITED TIME OFFER]

Hiya, Ghosts and Ghouls!

Pride month is a special time of year where folks of all ages, backgrounds, identities, and orientations come together and simply celebrate our uniqueness as human beings. It’s lovely to see communities all across the country band together and just express love, educate, spread awareness — and most importantly, party like no tomorrow, for a whole 30 days. For many of us in the queer community, pride month feels a LOT like the Christmas season.

One thing I love to see is just how much my own community has grown in acceptance and expression over the last few years. Under the new mayor, our town has jumped at the chance at Town Hall flag raisings when local pride communities have approached for approval. The public library has been an advocate during Pride Month ever since its reconstruction six years ago (This year they’re holding a lot of really interesting events, such as a drag queen-centered family story time).

Last year, the town over held its very first Pride March parade which showcased an ASTOUNDING turnout of residents, community leaders, and businesses. The result of which brought leaders from the LGBT community in Toronto up to our small-town neck of the woods to build the community’s very first LGBT-centered bar-and-vegan-lounge (its grand opening was last week!)

It’s a very exciting time. And to celebrate, I’d like to give you (and any fellow reader you know!) two limited-time offers.

First, to commemorate Pride Month, my short story “March of the Androgynous: A Transgender Story” (previously featured in The Human Condition Anthology) is on sale at a month-long 50% discounted price of $2.99 (CAD).

It’s a semi-autobiographical short story I originally wrote in college for a first-year English final, at a time when I was just starting to fully understand my own transgender identity. It’s a story I am so proud of, and am so excited to share with you.

Head over to Amazon to get your copy now!

But wait! What about that free e-book I promised in the header? Don’t worry, that’s coming up. From now until June 9th, I am giving away free kindle copies of “Quest for the Crystals: The Book of Wind”. That’s right, a full-length novel with a value of $9.99, absolutely FREE.

Don’t miss out on this limited time offer — click here to get your free copy today!

As for updates on The Book of Earth, the second draft is speeding by at a healthy momentum. I can’t wait for you to see what is in store next.

That’s all for now, my friend. Thanks for all of your support, and I hope you have a most wonderful rest of your day.

Until next time, Ghosts and Ghouls,

Stay creepy. 😉

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Emotional Investment: Writing Characters Who Matter

Work on The Quest for the Crystals #2: The Book of Earth is going pretty steadily. The core novel’s been done for a while, since 2014 with a basic rewrite in 2016. I’m ears-deep into further second draft revisions now (yay!) and there’s a lot of fleshing out to do (naaaaay!) in terms of story beats, character development, and overall flow/continuity.

What’s fascinating about this whole process – editing and revising – is just how much the characters are affected. When we discuss good writing, and the classic structure of “The Hero’s Journey”, it’s natural to expect our characters – especially the protagonist – to go through arcs of personal development. They’re different people by the end of the story from who they initially were on page one.

 

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A page out of  the “Book of Earth” section of “The Quest for the Crystals” production log

 

Sure, as a reader, this developmental journey is and should be apparent. It’s expected. All good stories revolve around challenge, struggle, triumph, and failure. All physical things in life are temporary, except for change. Change is constant. But what’s interesting to me as a writer and world-builder is just how much these characters grow and change behind the scenes; how they become different people by the story’s publication from who they initially were in the first draft.

At the risk of coming across patronizing, let me be real. If you’re not an author, writing a book sometimes looks as easy as spitting over a bridge. Coming up with all these great ideas and characters, the flowery sentence structure and (sometimes) perfect dialogue – it’s like we think it up and, snap!, magic happens on the page. A lot of really great authors make it look that easy! And there are some who do pull it off. Lawrence Block, Stephen King, those guys can bang out first drafts like instant Pulitzer winners, and then another three in the same year. It’s crazy amazing. But for the average writer, it’s not that simple.

Sometimes it’s like pulling teeth with a pair of rusty pliers.

Writing relatable, “human”, characters can be a real pain in the ass. Any amateur can write a story about a dystopian future where impoverished kids are forced to kill each other to entertain the rich minority, or a story about a secret magical society where fledgling witches and wizards attend a far-away boarding school of sorcery. But if the characters are flat, speak like they’re completely out of touch with believability, or carry on through the plot without flaw nor obstacle – then, well, no matter how amazing the overall story potential is, the reader is gonna check out and move on to something else hopefully more satisfying. We’ve all done it.

Good stories are made great by fully-fleshed characters. It’s the characters that carry the story, not the other way around. Very rarely does that actually work, and when it does, it’s been achieved in a more visual medium, like film (But that’s a whole other blog post).

I’m what’s called a “pantser”. I write by the seat of my pants. No outline, no story bible, no deep knowledge of who my characters are, or their motives. Just a vague idea, a phoneful of brief notes, and a tall mother fucker of a steeping tea. I generally have the title first. I sort of know where the plot will go and how the story might end. But everything else is up for grabs. Production logs are developed all throughout the drafting/revision process.

If you’re following Regina’s adventures in The Book of Wind over on Wattpad, it’s clear she’s a skunk who’s been dragged through hell to where she currently is – and that journey still isn’t over. Regina is severely flawed in some fundamental psychological ways. She’s sensitive and intrinsically nurturing; she’s got a brilliant mind, and isn’t afraid to voice her opinions —  however, she’s held back by post-traumatic stress. She watched her parents die. Her village burned to the ground. Canines slaughtered her friends and neighbours and Regina was left buried beneath piles of the dead and dying. This all happened her,  a seven-year-old previously sheltered from the dangers of reality, who doesn’t quite understand the world as it truly is. Regina’s fucked up for life.

 

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“Well, you don’t have to be so rude about it.”

 

My biggest struggle writing Regina’s character, however, was getting her to act and respond to the events and environments around her. Things would happen and Regina would react, while the characters standing by would pick up the slack. The world made its decisions for Regina, and she simply went along for the ride, despite how much she protested.

That’s not how a strong protagonist is written, and it’s obviously stated. But at the time, Regina was that way because she was a character struggling to find herself in a world that did her no favours.

She was afraid of change and afraid of standing up for herself. So she became reactionary and stood at the sidelines quivering while the secondary protagonists stole the spotlight out from over her. Yes, in a way Regina’s character was a semi-accurate portrayal of someone who’s never been able to really overcome trauma, and ended up letting it define them. She was passive and afraid, but too afraid to do anything to change her situation.

But Regina is supposed to be the heroine, right?

In retrospect, I feel Regina’s inability to find herself in the world was my own projection of insecurity – what the heck do I do with her?? Every other character felt grounded, going through the motions of their own stories and subplots, and Regina is quite literally dropped into the middle of the overarching narrative. It was like – emptying out a box of jigsaws, nabbing a random piece, and trying to force it into place within an entirely different puzzle board. Even in the initial drafts for Book of Wind, Regina’s story began with her stumbling into someone else’s story. That scene is still in the final book, mind you. It just happens much later.

Regina Lepue wasn’t a fractured skunk who was fully developed, and because of this flaw in writing, The Book of Wind suffered. Beta readers and my editor Jeannette maintained it was still a good book – but without that extra kick – without Regina being forced to make decisions and take action – The Book of Wind fell flat in the places where it needed to take off in order to resonate with readers.

Forcing Regina to step up and take responsibility for herself forced the other characters to meet her halfway and respond, causing a chain reaction that strengthened everyone’s overall personalities and development.

Book of Wind was a novella I wrote and initially e-published in 2012, and subsequent revisions (and drafts including Book of Earth and Book of Water – as well as trying to stay afloat and sane during the final year of college) delayed an updated publication. The “final version” of Wind was supposed to be released in December 2015. Revising Regina’s character (and subsequently adding a number of new scenes and chapters to explore and accommodate her needs and growth) delayed Book of Wind’s publication by another year.

Due to pantsing, I’m kind of a slow writer as it is. I tend to blow through the first draft, and all the really great ideas and jigsaw pieces come together little-by-little during the revision stages. And that takes forever because I’m an over-thinking perfectionist who happens to lack discipline and motivation, and takes constructive criticism and feedback very seriously.

All of Wind’s delays and revisions naturally brought on depression, frustration, resentment – all that fun stuff creative people go through when their WiPs are uncooperative and out to kill them. But the long and daunting slog that was Book of Wind was worth it, because Book of Earth is coming together at a slicker pace.

Because of the extra time and effort, I know the characters better. I have a greater understanding of their personal stories, their motives and desires – who they are and who they are not. I have a greater grasp of the overall plot and the beats the narrative must take in order to get to the end. The characters interact far more naturally than they did in initial drafts, and they carry the plot and unfold new subplots and consequences from their own actions – not because the story needs them to these things.

 

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Artist’s rendition of struggling with delays, circa 2017

 

Lots of folks equate being an author to being godlike – that it’s the author who’s in control of the story at all times. But being an author is more akin to parenthood. As a good parent, you lay the groundwork for your kids, and they hit the ground running, scuffing their knees in the process. You stand by, watching proud and worried as your kids take responsibility for their new lives, carving monumental victories and making damning mistakes along the way. You’re there for your kids when they come back to you needing guidance and advice – when things are dark and start to stall, when everything’s a mess and nothing makes much sense.

And if you’re a good author, you confer with your fellow writers, your beta readers, and your editor, before going back to your kids with the help they’re looking for. Because as parents, we’re too close to the problem at hand. Sometimes we can’t see it from all sides and figure out what our kids really need. Despite the rumours, writing isn’t a solo job. The right advice will set things in motion again, get the wheels back on track.

And when the right advice sticks, we have to step back and let our kids go off to figure out how to use this new information, waiting for the next time they need our help. A good parent guides their children without interfering. Ultimately, this story we give to our kids is theirs alone to tell.

When a good author puts in the extra effort to write good characters, the characters take over. That’s just how it is. Ask any fiction writer, and most of them will tell you the same.

That’s because despite the massive ego trip writing a whole novel or series provides, the truth is it’s the author who’s along for the ride, not the characters. And when an author is impacted by the stories told by their characters – you can be sure the readers who matter will feel emotionally invested the same way.

 

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It’s my birthday!! [BOOK LAUNCH GIVEAWAY]

Hiya, Ghosts and Ghouls!

Today’s the day. Grab your copy of Killing Sabrina from Amazon, COMPLETELY FREE — from now until April 11. All I ask for in return is a quick post-read review.

If you’re a Sterile Dirt Club subscriber, (and if you’re not — why not, fam??) and already have a copy of Killing Sabrina — don’t worry. I got you covered. 😉 Check your inbox for your very special treat, and tell all your friends and family about this killer giveaway!

(If you’re a new subscriber between April 7 and April 11 and don’t get the email containing today’s bonus, please e-mail me and we’ll get stuff sorted out.)

BONUS: as an added treat, all you Quest for the Crystals fans get a bonus chapter this week! Don’t miss out on Chapter 13: Revelations from Innocence.

Okay. That’s all from me. Off to go have a picnic in a graveyard, somewhere. Enjoy this Saturday, my beautiful monsters.

Stay creepy!

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Euphoria’s Book Launch Birthday Giveaway

Hiya! It’s my birthday next week, and guess what? I want to give YOU a gift. FOR A LIMITED TIME (April 7 – April 11) I’m giving away my brand spankin’ new novelette Killing Sabrina. Stay tuned, and don’t miss out!

Click here for more info on Killing Sabrina.

That’s not the only great news I have for you, either. The latest chapter in the Quest for the Crystals saga has just launched on Wattpad. Hop on over to see what Regina, Dwain, and their new friend Astral Ages, are up to this week.

 

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QUEST FOR THE CRYSTALS Behind the Scenes #1: Sgt. Rudolph Aruto

So, as promised in my last post, I wanted to show off some of the production work that has gone into the creation of my upcoming YA fantasy series. Here’s a sketch I did a while ago of one of the characters, Rudolph Aruto.

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Aruto is a sergeant within the ranks of “Quest” ‘s in-world army, called “The Alliance”. He is one of four hand-picked platoon commanders sent off to find Elemental Crystals used to keep the planet’s controlled climate state in check. Not going to spoil what the Alliance wants to do with the Crystals – but I can assure you, it’s not for what you think.

I’m really happy with how this piece turned out. Admittedly, Aruto’s design is vaguely inspired by the art of Troy Howell, who illustrated the U.S. publication covers for Brian Jacques’ Redwall novels. I’ve never actually read the Redwall series (on purpose. Don’t want to be unconsciously inspired, out of respect to the legacy of Mr. Jacques), but I was a fan of the cartoon, growing up. I don’t remember much of it, except for some throw away line, “I’ll use your skull for skittles”, which always baffled my 11-year-old self who enjoyed the candy of the same name.

I didn’t want these characters to be “animals with human proportions” which is often seen in the world of “furry fandom”. I really wanted to challenge myself as an artist and work towards allowing the characters to retain as much of their “real-world” attributes and proportions as possible, which is why I researched Howell’s art (and subsequent R.W. fan art on Deviantart).

Overall, I think I did a pretty good job with Aruto. I’m looking forward to drawing him again.

I hope you’ve enjoyed this brief look into the novel’s visual-artistic side. If there is anything in particular you as a reader, follower, and fan, would love to see in regards to the “behind the scenes” of Quest for the Crystals, please feel free to drop a request in the comments section. There is plenty of art, history, and inspiration with this series, and I’d love to share.

Upcoming Projects and their Production Logs

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Freshly-baptized notebooks mark this author’s upcoming project schedule.

I’m unsure of how many other authors do this, but maintaining “production logs” for major projects has been a habit I’ve kept for the last few years. This all started back in college, when I was dragging myself through the mud to finish the “final draft” of Master of Monsters.

In all likelihood, it’s pretty obvious to you what a production log is. The term is almost “cinematic” in a way, or at least, it is to me. And I like the way it sounds and how it rolls off my tongue. Makes me feel like a professional business artsy-fartsy-type instead of a deadbeat shmuck who mooches off her parents under the delusional pretense that stories about sealing monsters in glass orbs, talking animals who wield swords and magic, and homages to all things 1990s anime and Don Bluth era motion picture features will ever make her a dime in the Canadian YA literary market.

To me, a production log is, in all intents and purposes a diary related to all events, incidents, insecurities, triumphs, and failures that surround the subject of the project involved. Not so much writing about what I ate for breakfast that morning, or how much of a fucking two-timing slut that bitch Lindsay is (unless — of course — Lindsay stole my precious “baby” and changed all the names and published it under her own name, and just to twist the serrated blade, went and blackmailed my editor).

No, a production log serves a greater purpose. For example, when I was in the midst of bashing my brains against the computer monitor over MoMI started the production log so that I could track of events that happened in the novel, notes of affirmation and experiences related to publishing, writing, and marketing the project, as well as a fully drawn out history of how the story came into fruition way back in high school, who supported me through that time, and how the story and characters have changed over the years.

I do this for a couple of reasons. The most important is for mental health. No, really. Something that absolutely concerns me as I grow older is Alzheimer’s disease. Not that it really runs in the family (The only person I know who suffered from anything remotely similar was my Uncle Bill, who passed away due to dementia.) Honest to God, if my brain begins to rot, and I start to lose these powerful memories related to the most important creative experiences of my whole life, I want to be gat-dang sure I have a record of everything that I may look back on, or that my family can look back on, with great pleasure.

The second reason I do this is for the sake of marketing and publicity. Yeah, I know, it’s shallow as fuck and I totally admit this. But when it comes time to face the possible fact that I may be interviewed over one of my projects, I want to be sure as hell prepared as best as possible. Put me up against a wall: my brain goes blank and my tongue falls off. If there is an important aspect or theme of a book, I want know that it is recorded so that I can go back and explain to… Oh I don’t know, Ralph Hapschat of Denton TV … how Master of Monsters explores “deep” themes and constructs of homosexuality in a small town Catholic elementary school.

Finally, production logs are a great fallback, just in case stupid Lindsay does steal your work, and you need to provide proof in court that those million dollar rights to the Chris Columbus feature coming out next year (hahaha) are, in fact, entitled to you as well as whatever other copyright losses there are to your intellectual property. Remember, kids: Authorship is a legitimate business practice – not just some angst-ridden cry for attention from your family or Tumblr followers.

In any case, I think production logs simply make a lot of sense. From a personal perspective, I think they’re a lot of fun to not only write out, but to read back on. It’s actually pretty amazing the things you had forgotten that simply spill from the pen. If this is something you’re interested in pursuing, whether you’re an author, illustrator, or whatever – I’d say go for it.

The advice I’d give you is to not think too hard when you go to write it out. And for the love of God, don’t do it all at once. It’s an obvious truth but I know some of you reading this have just let out a long breath of relief. Let the memories flow back to you. The brain will naturally work itself in-tune with your pen. Don’t beat yourself up if you remember things out of chronological order. White Out is your friend in those situations. Or – even better, just go with it and slap together a “final draft” production log later. I’ve honestly blotted out whole paragraphs to include a year’s worth of forgotten material. Maybe that’s a little insane on my part – but I wouldn’t be an author if I wasn’t bat shit crazy.

To end off, production logs kick ass. I think as I continue working through the third draft of Quest for the Crystals, it would be a lot of fun to publish snippets of the log here on the site. That book has such a storied history that is just so personal to me. I’d love to share some excerpts with you all.

Until next time, keep writing.

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